What artists and labels ask us.
Fees, ISRC and UPC codes, catalogue transfers, rights and reporting.
Most asked
Do I pay anything upfront?
No. There are no upfront fees, takedown costs or hidden charges. We work on a royalty share agreed individually before we start.
How pricing worksCan I keep my ISRC and UPC codes?
In most cases, yes. An unchanged recording keeps its ISRC, and we plan transfers to preserve existing identifiers. A new recording or version may need a new code.
How we prepare releasesWhich platforms do you deliver to?
Streaming and download stores, plus social and video platforms such as TikTok, Instagram and YouTube Content ID, where your repertoire qualifies. Availability depends on territory, rights and each platform.
See all platforms
Starting a partnership
What should I share about my project?
Start with links to your music, your role, the size of your catalogue and what you want to achieve. If a release is already planned, include the target date and your current distributor.
Can I bring an existing catalogue?
Yes, you can submit an existing catalogue for review. Gather the original audio, artwork, ISRCs, UPCs and live links. Coordinate delivery before requesting any takedowns from your current distributor.
Do you work with both artists and labels?
We review projects from artists, labels and their representatives. Tell us who manages the catalogue and which services you need so we can discuss an appropriate scope of work.
How are timelines and terms agreed?
Each project is reviewed individually. Delivery dates depend on asset readiness, content checks and the platforms involved. The scope, commercial terms and reporting arrangements should be agreed before work starts.
Does promotion guarantee playlists or streams?
No. Campaign planning and pitching create opportunities, but editorial decisions belong to each platform and audience results vary. We discuss the proposed activities and expectations before a campaign.
Codes and transfers
Are UPC and ISRC the same thing?
No. A UPC identifies a product or release; an ISRC identifies a particular recording. An album can have one UPC and multiple ISRCs.
Does an ISRC prove that I own the song?
No. It identifies a recording but does not prove ownership or replace contracts, licences or rights registrations.
Can I correct metadata after release?
Some changes can be handled as updates; others need a different process. Check with the team before replacing files or redelivering content.
Should I remove music from my current distributor first?
No. Do not request takedowns without an agreed plan: the new delivery is made and reviewed first, then the previous release is taken down.
Will streams and playlists be retained?
Platforms decide how recordings and their data are matched. Consistent assets and identifiers help, but metrics and playlist retention cannot be guaranteed.
Can I move only part of my catalogue?
It depends on your agreements and rights. Identify the specific releases and we will review the scope with you.
Rights and reporting
Which rights do I need to distribute?
You need the necessary permissions for recordings, artwork and third-party material. Flag samples, cover versions and licensed beats. Review the scope of the distribution licence with the team before signing.
How do reports and payments work?
Platforms report on different schedules. Statement frequency, payment methods, thresholds and revenue share are set out in your agreement; daily trends are not the same as settled royalties.
How do I report a content claim?
Choose Rights or claims in the contact form. Include the affected URL, identifiers and the context of your relationship with the recording. The team may request further documentation.
Want to see what each service includes? See our services