Good questions. Clear next steps.

Start with links to your music, your role, the size of your catalogue and what you want to achieve. If a release is already planned, include the target date and your current distributor.

Yes, you can submit an existing catalogue for review. Gather the original audio, artwork, ISRCs, UPCs and live links. Coordinate delivery before requesting any takedowns from your current distributor.

We review projects from artists, labels and their representatives. Tell us who manages the catalogue and which services you need so we can discuss an appropriate scope of work.

Each project is reviewed individually. Delivery dates depend on asset readiness, content checks and the platforms involved. The scope, commercial terms and reporting arrangements should be agreed before work starts.

No. Campaign planning and pitching create opportunities, but editorial decisions belong to each platform and audience results vary. We discuss the proposed activities and expectations before a campaign.

You need the necessary permissions for recordings, artwork and third-party material. Flag samples, cover versions and licensed beats. Review the scope of the distribution licence with the team before signing.

Platforms report on different schedules. Statement frequency, payment methods, thresholds and revenue share are set out in your agreement; daily trends are not the same as settled royalties.

Choose Rights or claims in the contact form. Include the affected URL, identifiers and the context of your relationship with the recording. The team may request further documentation.